Alexander McQueen, Purple Flowers -- combining inspiration from nature, design, architecture, and fashion.
Famed French couturier Paul Poiret once said, “I have always liked painters. It seems to me that we are in the same trade and that they are my colleagues.” Yet fashion has had to struggle to gain that “collegiality” among the arts, being also seen as “the bastard child of capitalism and female vanity,” according to Valerie Steele, Director and Chief Curator of the Museum at the Fashion Institute of Technology.
Elyssa Jechow contemplates the question of the claim of fashion as an art form, and its challenges, in our newest article from The Muse Dialogue: “Is Fashion Art?“
Zandra Rhodes stands in front of costumes for English National Opera’s production of Aida. Photo Credit: London Evening Standard
TMD opens our next issue on Fashion and Costume Design with Alexandra Holness’ article “Fashion in the Arts: A Powerful Collaboration of Creative Minds.” This article opens the series by asking about the role of fashion and costume in collaborative art forms. The performing arts of theater, opera, and ballet involve more artistry than just acting, singing and dancing. Part of the collaborative process includes the visual spectacle of costume. The role of fashion is so significant that in curtain calls after a recent performance by the Pittsburgh Opera, an interesting thing happened. Read more and find out just what that was.
We will be releasing articles throughout the week, and you can find them all in Vol. 1, No. 5: Fashion and Costume Design.