Mary Cassatt, Woman in Black at the Opera, 1879

The future of opera has many considerations. It must respond to changes in financial markets, in audience tastes, and in the aesthetic direction of an art that has a 400-year history but that also remains productive with new works. Beyond that, it is simply one of the most complex and expensive forms to produce. Consequently, contemporary opera companies are dealing with a number of intersecting issues. How to present new work and find audiences for it, how to mount expensive productions of the historically celebrated repertoire, how to balance the budget in tough financial times, and how to honor the artists who pour their soul into their beloved work. The Muse Dialogue offers some thoughts on the situation, and shares the thoughts of Pittsburgh Opera’s General Director, Christopher Hahn.

Join us for  reflections on opera, its history and future, and even on the wonders of nonprofit finance in “The Future of Opera, a Conversation with Christopher Hahn” (click here to read full article).

A scene from the Pittsburgh Opera production of La Cenerentola (Photo: Pittsburgh Opera)

The Muse Dialogue turns attention now to opera and opens a series with consideration of the barrier of our own presumptions and misconceptions. Opera is among the longstanding art forms now in a state of transition, evolving as it faces the current era of the arts. One of opera’s challenges is surely our own notion of what it is, an often misinformed bias. Andrew Swensen writes, “Opera might well stand at the top of the list of art forms deserving your good-faith effort to dispel preconceptions. You might find yourself having what is perhaps the most frequent response of first-timers: “That was not what I was expecting.”” Along the way, we have the thoughts of Christopher Hahn, the General Director of the Pittsburgh Opera, and a reflection on Richard Wagner’s responsibility for one of opera’s great cliches.

Join us for the first in a series on opera: “That Was Not What I Was Expecting”: To Get to Opera We Must First Get Past Ourselves” (click here to read full article).