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“That Was Not What I Was Expecting”

A scene from the Pittsburgh Opera production of La Cenenterola (Photo: Pittsburgh Opera)

A scene from the Pittsburgh Opera production of La Cenerentola (Photo: Pittsburgh Opera)

The Muse Dialogue turns attention now to opera and opens a series with consideration of the barrier of our own presumptions and misconceptions. Opera is among the longstanding art forms now in a state of transition, evolving as it faces the current era of the arts. One of opera’s challenges is surely our own notion of what it is, an often misinformed bias. Andrew Swensen writes, “Opera might well stand at the top of the list of art forms deserving your good-faith effort to dispel preconceptions. You might find yourself having what is perhaps the most frequent response of first-timers: “That was not what I was expecting.”” Along the way, we have the thoughts of Christopher Hahn, the General Director of the Pittsburgh Opera, and a reflection on Richard Wagner’s responsibility for one of opera’s great cliches.

Join us for the first in a series on opera: “That Was Not What I Was Expecting”: To Get to Opera We Must First Get Past Ourselves” (click here to read full article).

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Jun 29

El Sistema and Pittsburgh, Part IV of a Series

Poco a Poco

Poco a Poco

Annie Gordon continues her series on El Sistema in this week’s article from The Muse Dialogue. In this fourth installment, she looks at several programs in the Pittsburgh area, programs that are directly inspired by El Sistema or that share El Sistema goals of using music to make an impact on young people. The work of the featured programs — Ozanam, the Poco a Poco intitiative of the Pittsburgh Chamber Music Society, the East Liberty Community Engagement Orchestra, Assemble PGH — have inspiring stories to tell, and we are grateful for the opportunity to share them.

Read and learn about the impact that music can make for young people in often difficult circumstances. Join us for “El Sistema and Pittsburgh” (click here to read the full article).

 

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