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		<title>Preserving Touchstones of the Past</title>
		<link>https://musedialogue.org/2012/04/03/preserving-touchstones-of-the-past/</link>
		<comments>https://musedialogue.org/2012/04/03/preserving-touchstones-of-the-past/#comments</comments>
		<pubDate>Tue, 03 Apr 2012 10:47:30 +0000</pubDate>
		<dc:creator><![CDATA[themusedialogue]]></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Arts Conservation]]></category>
		<category><![CDATA[Fashion]]></category>
		<category><![CDATA[arts conservation]]></category>
		<category><![CDATA[Bruce Schuettinger]]></category>
		<category><![CDATA[diary writing]]></category>
		<category><![CDATA[Elyssa Jechow]]></category>
		<category><![CDATA[Newbie Richardson]]></category>
		<category><![CDATA[UNESCO]]></category>

		<guid isPermaLink="false">https://musedialogue.org/?p=1028</guid>
		<description><![CDATA[by Elyssa Jechow In our hurry to forge ahead in innovation and stay current with the rapid-fire exchange of information, we may neglect to slow down long enough to recognize the importance of tradition and its relevance to moving forward. Elyssa Jechow contemplates the artistic legacies of the past, the small and everyday things from [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=musedialogue.org&#038;blog=27849819&#038;post=1028&#038;subd=themusedialogue&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
				<content:encoded><![CDATA[<p><a href="http://themusedialogue.files.wordpress.com/2012/04/conservation-needlework-111.jpg"><img class="size-medium wp-image-1017 alignleft" title="conservation-needlework-11" src="http://themusedialogue.files.wordpress.com/2012/04/conservation-needlework-111.jpg?w=272&#038;h=300" alt=""   /></a></p>
<p>by Elyssa Jechow</p>
<p>In our hurry to forge ahead in innovation and stay current with the rapid-fire exchange of information, we may neglect to slow down long enough to recognize the importance of tradition and its relevance to moving forward.</p>
<p>Elyssa Jechow contemplates the artistic legacies of the past, the small and everyday things from needlepoint to diary writing, and travels both the world of contemporary conservators and her own family history in the process. Take a reflective walk with her in <a title="Preserving Touchstones of the Past" href="/artsandlife/vol-1-no-8-international-traditions-and-international-cultural-policies-on-art/preserving-touchstones-of-the-past/">&#8220;Preserving Touchstones of the Past&#8221; </a>(click to view full article).</p><br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/themusedialogue.wordpress.com/1028/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/themusedialogue.wordpress.com/1028/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=musedialogue.org&#038;blog=27849819&#038;post=1028&#038;subd=themusedialogue&#038;ref=&#038;feed=1" width="1" height="1" />]]></content:encoded>
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		<title>Is Fashion Art?</title>
		<link>https://musedialogue.org/2012/02/08/is-fashion-art/</link>
		<comments>https://musedialogue.org/2012/02/08/is-fashion-art/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 17:07:20 +0000</pubDate>
		<dc:creator><![CDATA[themusedialogue]]></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Alexander McQueen]]></category>
		<category><![CDATA[Balenciaga and Spain]]></category>
		<category><![CDATA[couture]]></category>
		<category><![CDATA[Elyssa Jechow]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[visual arts]]></category>

		<guid isPermaLink="false">https://musedialogue.org/?p=573</guid>
		<description><![CDATA[Famed French couturier Paul Poiret once said, “I have always liked painters. It seems to me that we are in the same trade and that they are my colleagues.” Yet fashion has had to struggle to gain that “collegiality” among the arts, being also seen as “the bastard child of capitalism and female vanity,” according [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=musedialogue.org&#038;blog=27849819&#038;post=573&#038;subd=themusedialogue&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
				<content:encoded><![CDATA[<div id="attachment_527" style="width: 210px" class="wp-caption alignleft"><a href="http://themusedialogue.files.wordpress.com/2012/02/alexander-mcqueen-spring07-purpleflowers.jpg"><img class="size-medium wp-image-527" title="alexander-mcqueen-spring07-purpleflowers" src="http://themusedialogue.files.wordpress.com/2012/02/alexander-mcqueen-spring07-purpleflowers.jpg?w=200&#038;h=300" alt="" width="200" height="300" /></a><p class="wp-caption-text">Alexander McQueen, Purple Flowers -- combining inspiration from nature, design, architecture, and fashion.</p></div>
<p>Famed French couturier Paul Poiret once said, “I have always liked painters. It seems to me that we are in the same trade and that they are my colleagues.” Yet fashion has had to struggle to gain that “collegiality” among the arts, being also seen as “the bastard child of capitalism and female vanity,” according to Valerie Steele, Director and Chief Curator of the Museum at the Fashion Institute of Technology.</p>
<p>Elyssa Jechow contemplates the question of the claim of fashion as an art form, and its challenges, in our newest article from The Muse Dialogue: &#8220;<a title="Is Fashion Art?" href="/visual-arts/costume-design/is-fashion-art/">Is Fashion Art?</a>&#8220;</p><br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/themusedialogue.wordpress.com/573/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/themusedialogue.wordpress.com/573/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=musedialogue.org&#038;blog=27849819&#038;post=573&#038;subd=themusedialogue&#038;ref=&#038;feed=1" width="1" height="1" />]]></content:encoded>
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		<title>Fashion and Costume Design</title>
		<link>https://musedialogue.org/2012/02/04/fashion-and-costume-design/</link>
		<comments>https://musedialogue.org/2012/02/04/fashion-and-costume-design/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 13:49:05 +0000</pubDate>
		<dc:creator><![CDATA[themusedialogue]]></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Fashion]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Alexandra Holness]]></category>
		<category><![CDATA[Bakst]]></category>
		<category><![CDATA[ballet]]></category>
		<category><![CDATA[costume design]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[visual arts]]></category>
		<category><![CDATA[Zandra Rhodes]]></category>

		<guid isPermaLink="false">https://musedialogue.org/?p=554</guid>
		<description><![CDATA[TMD opens our next issue on Fashion and Costume Design with Alexandra Holness&#8217; article &#8220;Fashion in the Arts: A Powerful Collaboration of Creative Minds.&#8221; This article opens the series by asking about the role of fashion and costume in collaborative art forms. The performing arts of theater, opera, and ballet involve more artistry than just acting, [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=musedialogue.org&#038;blog=27849819&#038;post=554&#038;subd=themusedialogue&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
				<content:encoded><![CDATA[<div id="attachment_530" style="width: 213px" class="wp-caption alignleft"><a href="http://themusedialogue.files.wordpress.com/2012/02/43a_07_zandra_243x358.jpg"><img class="size-medium wp-image-530" title="Zandra Rhodes" alt="" src="http://themusedialogue.files.wordpress.com/2012/02/43a_07_zandra_243x358.jpg?w=203&#038;h=300" height="300" width="203" /></a><p class="wp-caption-text">Zandra Rhodes stands in front of costumes for English National Opera&#8217;s production of Aida. Photo Credit: London Evening Standard</p></div>
<p>TMD opens our next issue on Fashion and Costume Design with Alexandra Holness&#8217; article &#8220;Fashion in the Arts: A Powerful Collaboration of Creative Minds.&#8221; This article opens the series by asking about the role of fashion and costume in collaborative art forms. The performing arts of theater, opera, and ballet involve more artistry than just acting, singing and dancing. Part of the collaborative process includes the visual spectacle of costume. The role of fashion is so significant that in curtain calls after a recent performance by the Pittsburgh Opera, an interesting thing happened. Read more and find out just what that was.</p>
<p>We will be releasing articles throughout the week, and you can find them all in <a title="Fashion and Costume Design, Vol. 1, No. 5" href="/visual-arts/costume-design/">Vol. 1, No. 5: Fashion and Costume Design.</a></p><br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/themusedialogue.wordpress.com/554/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/themusedialogue.wordpress.com/554/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=musedialogue.org&#038;blog=27849819&#038;post=554&#038;subd=themusedialogue&#038;ref=&#038;feed=1" width="1" height="1" />]]></content:encoded>
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